Description
Impressive usability and imaging power combine in the EOS C500 Mark II, the customizable full frame cinema camera that’s built for creative freedom.
The lightweight body comes equipped with Canon’s 5.9K full-frame CMOS sensor capable of over 15 stops of dynamic range. The newly developed DIGIC DV 7 Image Processor expands functionality and flexibility by enabling features such as 5.9K recording, internal recording of Canon Cinema Raw Light and Dual Pixel Autofocus.
The Cinema EOS C500 Mark II is the perfect expression of form and function, exceptionally adaptable to virtually any production with its modular design. Three expansion units and user changeable lens mounts enable operators to build their ideal cinema system.
Features
5.9K Full Frame CMOS Sensor, with support for Super 35mm and Super 16mm crop modes
The Cinema EOS C500 Mark II features Canon’s high-resolution 5.9K (38.1 x 20.1mm) Full Frame CMOS sensor, which offers exceptional low noise and a broad range of tonality with over 15 stops of dynamic range. The sensor’s expansive native cinema gamut goes beyond that of current standards, including ITU-R BT.2020 and DCI-P3, helping the EOS C500 Mark II achieve more natural skin tones and allowing for greater freedom in color grading in both SDR and HDR productions.
The Full Frame sensor is capable of capturing footage in a wide variety of aspect formats, including DCI-4K, UHD and Anamorphic Widescreen. The Cinema EOS C500 sensor supports both anamorphic and spherical lenses. In addition to full-frame, the sensor can also be paired with conventional Super 35mm and Super 16mm lenses using appropriate sensor crop modes, lens mount and adapter.
User Changeable Lens Mounts
User interchangeable lens mounts and an available B4 mount adapter gives operators the freedom to make bold creative choices based on the subject matter.
The EOS C500 Mark II ships with an EF Mount that can be user swapped to an optional Locking EF (EF-C) or PL mount. Each mount swaps easily by simply removing four M3 hex screws. A shim set is provided with each mount kit in order to adjust back focus for the precision in focusing accuracy that professionals rely on.
*Dependent on the mount the user has in place
DIGIC DV 7 Image Processor powerfully processes high-resolution image data
The EOS C500 Mark II uses a newly developed DIGIC DV 7 Image Processor that takes the extensive RAW information captured from the 5.9K imaging sensor and processes it for output. DiG!C is also the engine behind features such as high frame rate recording, Dual Pixel Auto Focus, Cinema Raw Light Recording, HDR(PQ and HLG) output, electronic image stabilization, proxy recording and oversampling 5.9K processing.
Enhanced Clear Scan Mode
Clear Scan shutter mode helps reduce or virtually eliminate the flickering caused by some LED walls.
Canon Cinema RAW Light and XF-AVC Recording
Thanks to the powerful DIGIC DV 7 image processing platform, the EOS C500 Mark II can record Cinema RAW Light directly to onboard CFexpress cards, which keeps the data-rich signal captured by the 5.9K full-frame sensor intact. Cinema RAW Light offers plenty of freedom for grading in file sizes that are about 1/3 to 1/5 the size of Cinema RAW, offering a great combination in terms of codec efficiency and quality.
When recording in 5.9K Cinema RAW Light, 60 fps is available, which is an ideal range of high-quality slow-motion capture for typical human movements. In 2K (Crop) mode, frame rates up to 120fps are available allowing users to slow down the action even further, for more dramatic scenes and special effects. Two buttons S&F(Slow and Fast Motion) and S&F FPS (Slow and Fast Motion – Frames per Second) have been added to gives quick access to desired speed settings, making it simple to utilize this creative tool quickly and spontaneously when the moment is right.
To accurately record the extensive data produced by the 5.9K imaging sensor and provide greater recording times, the EOS C500 Mark features two CFexpress recording slots. CFexpress is the future of onboard recording media providing write speeds needed for higher resolutions and frame rates. The dual card slots can be used to either create an instantaneous backup thorough simultaneous recording or extend record run times by relay recording.
Cinema RAW Light HQ, ST and LT Recording Formats
Canon has added three Cinema RAW Light recording modes, all with 12-bit recording capabilities, in addition to the existing RAW Light format, giving the camera four different RAW recording options to choose from.
Cinema RAW Light HQ, ST, LTi
| Resolution | Recording Format | 59.94Hz | 24.00Hz | ||
| 59.94P | 29.97P | 23.98P | 24.00P | ||
| 5952 x 3140 | RAW HQ | – | 2.12 Gbps | 1.7 Gbps | 1.7 Gbps |
| RAW ST | 2.09 Gbps | 1.05 Gbps | 835 Mbps | 836 Mbps | |
| RAW LT | 1.36 Gbps | 679 Mbps | 543 Mbps | 544 Mbps | |
| 4192 x 3140 （4:3） | RAW HQ | – | 1.5 Gbps | 1.2 Gbps | 1.2 Gbps |
| RAW ST | 1.48 Gbps | 737 Mbps | 590 Mbps | 590 Mbps | |
| RAW LT | 958 Mbps | 479 Mbps | 383 Mbps | 384 Mbps | |
| 3768 x 3140 （6:5） | RAW HQ | – | 1.35 Gbps | 1.08 Gbps | 1.08 Gbps |
| RAW ST | 1.33 Gbps | 663 Mbps | 530 Mbps | 531 Mbps | |
| RAW LT | 861 Mbps | 431 Mbps | 345 Mbps | 345 Mbps | |
| 4096 x 2160 | RAW HQ | 2.02 Gbps | 1.01 Gbps | 807 Mbps | 807 Mbps |
| RAW ST | 993 Mbps | 497 Mbps | 397 Mbps | 398 Mbps | |
| RAW LT | 645 Mbps | 323 Mbps | 258 Mbps | 259 Mbps | |
| 2048 x 1080 | RAW HQ | 511 Mbps | 256 Mbps | 205 Mbps | 205 Mbps |
| RAW ST | 252 Mbps | 126 Mbps | 101 Mbps | 101 Mbps | |
| RAW LT | 164 Mbps | 82 Mbps | 66 Mbps | 66 Mbps | |
All RAW Light HQ, ST and LT recording formats can take advantage of the C500 Mark II’s 4:3 and 6:5 sensor crop modes, making the formats a great option for a variety of Anamorphic lens options.
Proxy Recording
Higher resolution, greater bit depths and faster frame rates provide versatility and greater image quality but come at the cost of much larger file sizes. Proxy files can greatly speed up the editorial process by providing a lower bandwidth alternative for the initial file sharing and edits.
Canon’s powerful, high-speed DIGIC DV 7 image processor makes it possible for the EOS C500 Mark II to simultaneously record 2K Proxy files. Cinema RAW Light (5.9K, 4K Crop, or 2K (Crop)) can be recorded to the internal CFexpress card while an XF-AVC 2K 4:2:0 8-bit Proxy can be recorded directly to an internal SD card.
Proxy files can be named using the recommended “_Proxy” suffix, which enhances compatibility with non-linear editing systems.
Compatibility with EF and PL Lenses*
With optional mount kits, users can swap from EF to Locking EF-C or PL mounts on their own.
PL lenses are a cinema legacy. With a wide breath of options available to cinematographers choosing a lens is an important part of the creative process. The EOS C500 Mark II’s interchangeability now makes it possible to take any PL lens and pair it with Canon’s state-of-the-art sensor to meet the needs of any project.
Using Canon’s EF still lenses offer remarkable new possibilities for cinematographers including the use of specialty lenses like the fisheye zoom, tilt-shift and super-telephotos.
Digital Tele-Converter
The digital tele-converter adds focal length versatility to the EOS C500 Mark II. The feature allows a user to change the angle of view with image magnification options of 1.5x, 2x, 2.5x or 3x.
The amount of viable lens options can be further increased through an optional B4 lens mount adapter. This adapter is available for the PL or EF mount allowing 2/3” lensing options to be used with the camera.
Anamorphic Lens Support
The EOS C500 Mark II offers cinematographers anamorphic lens support. Users can now achieve wide cinematic looks and oval bokeh particular to anamorphic glass. It is a distinctly cinematic palette that is within reach for your next project.
Electronic Image Stabilization
The EOS C500 Mark II is the first Canon Cinema EOS camera to feature built-in five-axis electronic IS that works with almost any lens including anamorphic.
Modular Design with three available Expansion Units allows a high level of connectivity and interoperability
A new modular design allows productions to optimize and customize the EOS C500 Mark II to specific shooting needs. Accessories and expansion units can be easily attached to provide different levels of functionality. The camera is equally at home fully rigged with a large zoom lens, FIZ unit, audio accessories and rangefinder as it is stripped down flying on a drone.
EVF-V50 OLED Electronic Viewfinder
The EVF-V50 OLED electronic viewfinder is a tilting 0.46” approx. 1.77 million dot OLED EVF that offers outstanding visibility for single-operator applications, such as documentaries and outdoor interviews.
Expansion Unit 1 – EU-V1
This unit extends connectivity that benefits both remote operation and live uses of the EOS C500 Mark II. This expansion adds genlock/sync out, remote B (RS422) and Ethernet ports ideal for multi-camera, streaming and live television applications.
Expansion Unit 2 – EU-V2
This unit converts the EOS C500 Mark II from a compact powerhouse to a full production camera system ready for anything. EU-V2 adds two additional XLR audio inputs, Lens port, 24-volt DC out, and D-Tap power, in addition to Genlock, sync out, Remote B (422) and Ethernet port. It also allows the camera to be powered using industry standard v-lock batteries.
Expansion Unit 3 – EU-V3
Designed for live event video production, the EU-V3 increases the operational capability of the C500 Mark II. By attaching the EU-V3, the camera gains additional input/output terminals necessary for live video production. Specialized functions for live broadcasting include a “tally” function that indicates which camera the live video is being captured with, and a “return” function that notifies operators which camera is currently “live”. In addition, the unit supports the “focus position guide” function that enables operators to register a desired focus position and also display the current focus position on-screen.
4.3” LCD Touch screen Monitor LM-V2
The new LM-V2 4.3” LCD Monitor is an easy to view touch panel with approx. 2.76 million dots. The monitor easily attaches to the EOS C500 Mark II using included accessories and can be adjusted to different viewing positions. In addition to image framing and visual confirmation of camera settings, attached controllers make it easy to access and change camera settings.
Dual Pixel CMOS AF with support for Touch AF and Face Detection AF
The Cinema EOS C500 Mark II features Canon’s Dual Pixel CMOS AF Technology. For DAF, each pixel in the camera’s CMOS sensor is configured with two photodiodes. Two independent image signals can then be detected at each photosite and compared using phase-difference to provide autofocus with compatible lenses. DAF can survey the scene and recognizes not only whether the subject is in focus or not, but in which direction (near or far), and by how much. DAF also powers the intuitive Focus Guide for users who prefer to focus manually but enjoy the positive feedback DAF provides through the guide interface.
DAF technology can also be used to aid in manual focus. Focus information is translated to an on-screen guide that conveys to the operator the subjects current focus and direction to move in order achieve focus. When sharp focus is achieved the indicator turns green as a clear indication.
Canon Log 2 and 3 Support
The EOS C500 Mark II supports Canon Log 2 and Canon Log 3 Gamma. In post-production, Canon Log is designed to reproduce the entire tonal range that the CMOS image sensor is capable of. Log workflows provide the user with higher dynamic range, more highlight and shadow retention, and more flexibility in grading.
Canon Log 2 provides the largest dynamic range and image detail. While Canon Log 2 provides the most post-production flexibility and full dynamic range of the sensor, it typically requires more time in color correction.
For users looking for most of the benefits of log workflow, but with shorter turnaround times, Canon Log 3 provides an alternative with only a slightly reduced dynamic range of 14 stops.
4 Channel Audio Recording
With Expansion Unit EU-V2, the EOS C500 Mark II supports up to 4-channel audio recording. Audio input from the camera’s internal microphone, mini mic port, and XLR ports can be assigned to the 4 different audio channels. This flexibility allows a wide range of audio devices to be connected and mixed directly on the camera.
Support for Custom User LUTs
Users can upload and apply custom LUTs to the EOS C500 Mark II. LUTs can be assigned to specific output terminals and the LCD or viewfinder. Clients can be viewing one LUT, while production works from another, giving different production roles the ability to customize the look of the image to their needs.
Focus Position Meter
The focus position meter allows you to select up to three separate focus points in your shot. Each selected point is identified by either a red, green, or blue mark on the viewfinder. When the selected point is in focus, the border of the viewfinder lights up in that color to easily let you know that you are in focus. This feature can only be used with lenses that support AF functionality.
Waveform Monitor / Vectorscope
Users have the option to double the size of the on-screen waveform monitor and vectorscope. The ability to adjust opacity (transparency) of these on-screen tools makes it easier to see and adjust exposure while shooting. The vectorscope displays the custom picture color space along with the name for each color.
Remote Control Support
The EOS C500 Mark II body has a remote A terminal (LANC) on the body and supports remote B (RS422) in expansion units EU-V1 and EU-V2, and EU-V3. Through these connectors, the EOS C500 Mark II can be completely remote operated either by a standard LANC compatible cable or over longer distances through the use of a serial connection.
A second option for remote control is Canon’s IP-based XC Protocol. XC Protocol was added to help maximize operability and remote control of camera settings. Using the XC Protocol, the camera can be operated by Canon’s RC-IP1000 or RC-IP100 remote control panels, or via the Remote Control Camera Application (RCCA) over an Ethernet Network connection. Additionally, XC Protocol-enabled third-party controllers (RCP) can control the camera.
Canon Multi-Camera Control App
A wireless smartphone remote control option has been added with the release of the Canon Multi-Camera Control App for iPhone*.
The Canon Multi Camera Control App provides the ability to control multiple cameras wirelessly from an iPhone via Wi-Fi**. The free app empowers you to have control over recording start and stop, focus, zoom and iris, ND Filters, ISO, Shutter, White Balance, and Custom picture control all while viewing the image from the camera.
* Available for download on the Apple App Store
** Wi-Fi connectivity requires the WFT-E9 Wireless File Transmitter.
Remote Camera Control Application
The Remote Camera Control Application is an application for centralized control of multiple cameras. It is possible to operate up to nine cameras and display videos at the same time – achieving a “multi-camera operation”.
At a video production or broadcasting site, an operator can select a camera from the videos displayed on the “Connected Camera List”, within the application and operate it from the “Camera Control Area” in the control panel of the software. The software is included and can be installed immediately without having to prepare a hardware controller in advance making it easy to use for the operator while creating an effective one-person operation.
Technical Specifications
Image Sensing Device
CMOS Sensor with DAF Technology
[Full size/3840×2160/29.97P. Canon Log2 Base Sensitivity ISO 800 (Dynamic Range 1600%)]
In the 50.00 Hz mode: 66 dB (Typical)
[Full size/3840×2160/25.00P. Canon Log2 Base Sensitivity ISO 800 (Dynamic Range 1600%)]
Canon Log 3: 1600% / 14 stops (at ISO 800)02
50.00 Hz f/11 (2048×1080/50.00P) or f/16 (1920×1080/25.00P) 01All values for ISO 800, 2000 lux, and reflections rate or 89.9%
* Some lens specification may not enable these f-numbers
When 5952 x 3140, 4096 x 2160 or 2048 x 1080 is selectedApprox. 17.52 Megapixels (5580 x 3140):
When 3840 x 2160 or 1920 x 1080 is selected as the resolution
